Some songs are written from imagination.
Others arrive from moments that quietly change you forever.
“Behind the Green Door in Cairo” was
born from one of those moments.
For decades, we carried a dream in our
heart: to travel to Cairo and visit the resting place of King Mohammad Reza
Pahlavi. Not out of politics alone, but out of memory, emotion, history,
longing, and the complicated feeling many Iranians around the world understand
all too well - the feeling of carrying a homeland inside you, even when you are
far away from it.
When we finally arrived in Cairo and
stood before the Rifa’i Mosque, we felt overwhelmed. We had imagined this
moment for years. We wanted to pay our respects. We wanted to pray. We wanted to
speak the words that had stayed in our hearts for so long.
But when we arrived, the entrance to
the resting place was closed due to maintenance.
Just a few steps away.
Separated only by a green-covered
door.
It sounds like a small detail. Yet
in that moment, it felt much bigger than a door. Standing there, unable to
enter, something broke inside us. The experience suddenly became symbolic of
something larger - the distance many Iranians feel from their homeland, from
stability, from closure, from hope, from each other.
The closed door became a mirror.
That moment inspired the central
line of the song:
“Between your history and our
misery.”
The song is not only about one place
or one person. It became a song about longing itself. About carrying memories
across borders. About searching for connection. About wanting to feel at home
again.
One line that became especially
important to me while writing the song was:
“Maybe I just wanted to feel at
home.”
Because in the end, I realized that
this journey was never only about reaching a tomb. It was about searching for
belonging.
Musically, I imagined the song as
something intimate and cinematic at the same time — influenced by emotional 90s
ballads, soft orchestral textures, and Persian instrumentation such as ney and
daf. I wanted the production to feel like a prayer whispered into silence
rather than a loud political statement.
The Farsi intro and outro were very
important to me as well. They carry the private conversation that never
happened:
In many ways, “Behind the Green Door
in Cairo” became a song for everyone who has ever stood close to something they
loved - yet still couldn’t reach it.
And despite the heartbreak within
the song, there is still hope inside it too.


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